This past week I scoured the list of seventy-odd 2011 movies I’ve seen. Looking back, I was reminded that the majority of 2011 films (that I saw, mind you) were disappointing or simply forgettable. I was also reminded that when a movie was really good, I just couldn’t stop talking about it. In the end, I still drove myself crazy trying to narrow down the fifteen or so awesome movies of 2011 into a top 10. After much debate, I did narrow it down to a top 10, though as Nick put it in his Top 10 of 2011, “as we tend to say around these parts, this is my favorites list, not the best list.”
HONORABLE MENTION: The Help – For a long list of ridiculous reasons I still have not seen The Help, but everyone, and I mean everyone, I know says that had I seen it, it’d be on this list. Until then, consider this its placeholder.
10. Carnage
One of my most recently watched films to make the list, I worried its inclusion is more due to its newness. After much reflection, there’s no denying how much fun it is to watch these four talented actors go at each others throats. Each character has their shortcomings, and as their social etiquette degrades those foibles shine. Of them all, I most enjoyed Waltz’s Alan; he’s such a delightfully smug ass. Think what you will about Roman Polanski, but the man crafts an engaging film.
9. Drive
Between this, Ides of March and Crazy, Stupid, Love, I knew at least one Ryan Gosling movie had to make my list. Upon comparing the three, there’s really no contest. The Driver is a great character and Gosling makes you simultaneously root for him to survive and to seek professional help. Drive‘s pacing is a slow burn that erupts into explosive scenes of unexpected gruesome violence. My kind of movie!
8. Midnight in Paris
I enjoyed so many things about Midnight in Paris. Naturally, there’s the lovely Marion Cotillard. I love the inspired cameos by Kathy Bates, Adrien Brody, Allison Pill, and especially Corey Stoll. Wilson’s Allen-esque character is even more likable than Allen. Speaking of Woody, I love that he appreciates Rachel McAdams’ scrumptious ass as much as I do. Didn’t notice? Go back, watch it again, and see how most shots of her start at the derriere and work up.
7. Hanna
Having been months and months since I’d seen it, I nearly snubbed Hanna the first time through the sorting. Then I began to recall the wicked Chemical Brothers soundtrack, the mega-creep factor of Tom Hollander’s Isaacs (Thanks, Dylan), and the sheer badassedness of Saoirse Ronan as Hanna. That’s just the tip of the iceberg. How could it not make the list?
6. Horrible Bosses
Before Horrible Bosses came along, 2011 was shaping up to be a laughless year. Bridesmaids and The Hangover Part II had left a bad taste in my mouth. I got a chuckle out of indie films like Midnight in Paris and Win Win, but every once in a while I gots to experience an unrelenting gut-buster. Jason Bateman, Jason Sudekis, and Charlie Day do just that by delivering up laugh after laugh without letting the story get too stupid. Horrible Bosses also helped me see Jennifer Aniston as sexy, while making Colin Farrell so very, very not-sexy.
5. 50/50
I do love me some JGL, but 50/50 doesn’t earn this spot on his shoulders alone. It’s a touching story that never gets too syrupy or manipulative. Anjelica Huston outshines everyone and Anna Kendrick continues to impress. More importantly, 50/50 redeemed Seth Rogen. His jerk-off laugh and jerk-off face in things like Green Hornet were quickly earning him a spot on my shit list, but as Kyle he proves he’s actually serious about this acting thing.
4. Take Shelter
I’ve got two words for you; Michael Shannon. Shannon’s portrayal of Curtis grabs you right from the start. His obsession at discerning whether the plague of apocalyptic nightmares he’s having are visions or his own psychosis infected me and had me fixated right to the very end. Writer-director Jeff Nichols captures all the frustrations, fears, anger and panic that Curtis, his family, and his friends experience. A film not to be missed.
3. Source Code
Easily the most under-appreciated film of 2011. Duncan Jones impressed the hell out of me with Moon and Source Code proves equally eloquent. A wibbly-wobbly, timey-wimey premise that could have been difficult to translate to the screen, but Jones’ deft direction keeps it from being too mind-bottling. It’s fast-paced and thrilling and Farmiga gives an excellent supporting performance to Jake Gyllenhaal who is always easy on the eyes.
2. Rise of the Planet of the Apes
I’ve said this many times, but Andy Serkis and the CGI crew deserve mad props for making Caesar the star of Rise of the Planet of the Apes. Following the life of this chimpanzee from his sad beginnings through to his destiny is popcorn-devouring cinema. Franco makes an excellent father figure, even if he is an ethically-weak scientist. The best thing Rise has going for it is its attention to all the little details. By the end, everything blends together to make sense of even the most nonsensical plots of the franchise.
1. The Guard
Little more than a buddy cop movie, Brendan Gleeson and Don Cheadle raise the material to a whole other level. I’d easily sit through the Guard a second, third or even fourth time. That’s partly because I didn’t catch all of the heavily-accented dialogue the first time through, but mostly it’s because I’m sure I’ll love it more and more with each viewing. I hope John Michael McDonagh is already working on The Guard 2: Boyle on America’s Arse.
Remember, we here at Man, I Love Films don’t do definitive lists. We do our favorites and we want to hear yours. So, make sure and tell us about them in the comments section below.















Carnage seems fun, and I do tend to like Polanski’s films, so I’m waiting for it to hit DVD. I really need to rewatch Drive at a better quality than how I saw it, because I was supremely let down by it after the hype. But again, I blame it on the copy I had.
Most of us know I really dig Midnight in Paris by now, so no further explanation needed. I re-watched Hanna recently due to being disappointed by it (I had high expectations) in theater. I liked it much more, and I’m sure it’ll grow on me even more with future viewings.
I really need to watch Horrible Bosses again. I did like it in the theater, but I remember wanting it to go on when it ended because the ending just kinda snuck up on me. I also recently watched 50/50 and really dug it. As years go on and with more viewings, I can see it scooting up my list.
I really want to see Take Shelter. It seems like a movie I would really like, and it’s ending up on a lot of Top 10 lists. It just hasn’t come around these parts. As for Source Code… I like it; I own it… but even after a recent re-watch, I couldn’t put it in my Top 10. It’s fun, but it wasn’t strong enough for me.
Apes is very similar to Source Code for me. I don’t own it, and I really liked it in theater… but I didn’t love anything about it enough to put it on the Top 10. As for The Guard, I kinda liked it. However, I love love love In Bruges, which was directed by this director’s brother. It did, though, take a couple viewings for me to fall for In Bruges, so maybe the same could be said for The Guard.
Twitter: waywardjam
January 30, 2012 11:40 am
I absolutely loved In Bruges from the very first viewing. Such a phenomenal film. I don’t think the Guard is up to that level, but I couldn’t stop talking about it after seeing it. The Brain-Linger factor played majorly in my Top 10.
That’s why Drive, RotPotA and Source Code made my list. I talked about them for weeks/months after, telling everyone I knew to watch them. Source Code also benefited from not making me go cross-eyed with its logic.
Carnage is all about the interactions and as I think more and more on it, there’s little else to savor. It barely edged onto my list. It was fighting it out with Shame and Contagion for that spot.
Definitely watch Horrible Bosses again. I loved it just as much the second time around.
All in all, we agree these are good movies, they just don’t occupy the same rankings in our overall lists.
Check plus for the Seth Rogen commentary!
Twitter: waywardjam
January 30, 2012 11:40 am
Yay me! I’m not alone in my love-hate relationship of Rogen.
Twitter: manilovefilms
January 30, 2012 8:55 am
I really enjoyed The Guard, but yeah, it’s so difficult not to stand it up next to In Bruges, and it’s not quite the same height, if you know what I mean. A fun, well-acted movie that needs a bigger audience, but I must admit to being a bit shocked to see it at #1. Love your selections overall, though (obligatory “I need to see at least four of them” comment goes here).
Also shocked to see Carnage place, if only because it seems the reception has been so bad. I’m way scared of the “play-ie” atmosphere as that often drives me nuts in films, but Waltz does look hilarious, and I was thinking this was finally a decent post-Basterds role for him.
Twitter: waywardjam
January 30, 2012 11:47 am
I was kind of surprised the Guard made it to my #1. As I compared back and forth with the other, it was the only film I found the fewest faults with.
Carnage definitely has that “play-ie” vibe as you put it. That’s why I kept swapping it out with a couple of other options (see above). The characterizations are on point. And Waltz chews it up, so when you see it, you should be pleased.
BTW, I can’t wait to see your list.
Except for my ignorance of 1 and 10 I like so much about this list! Very Nice!
Twitter: waywardjam
February 1, 2012 8:26 am
Thanks. Since we’re 8 for 8, you should definitely check out 1 & 10 when you have the chance.